Category Archives: News

“Non-Participation” Essay in Art Leaks Gazette

My essay on “Non-Participation” & artists’ strikes in the Art Leaks Gazette is now available online here.

Writers include:

Corina Apostol, Vladan Jeremić, Vlad Morariu, David Riff & Dmitry Vilensky, Milena Placentile, Jonas Staal, Evgenia Abramova, Gregory Sholette, Veda Popovici, Mykola Ridnyi, Amber Hickey, Fokus Grupa, Marsha Bradfield & Kuba Szreder (members of Critical Practice).

In addition to the essay are three sample submissions to Non-Participation, and select documents from the Art Workers Coalition archive.

 

Non-Participation in the Artleaks Gazette

I’m happy to announce the launch of the first issue of the ArtLeaks Gazette, featuring an essay on my current project Non-Participation. The official public launch of the ArtLeaks Gazette which will take place at the Brecht Forum in NYC on Saturday, May 4th from 7 PM.

The publication will be available online and in print at the beginning of May 2013, and will be followed by a series of debates in the near future.

Artleaks was founded in 2011 as an international platform for cultural workers where instances of abuse, corruption and exploitation are exposed and submitted for public inquiry. After almost two years of activity, some members of ArtLeaks felt an urgent need to establish a regular on-line publication as a tool for empowerment, reflection and solidarity. More about ArtLeaks here: http://art-leaks.org/about

Gazette Contributors: Mykola Ridnyi, Gregory Sholette, Marsha Bradfield & Kuba Szreder (Critical Practice), Fokus Grupa, Amber Hickey, Lauren van Haaften-Schick, Organ kritischer Kunst, Veda Popovici, Milena Placentile, Jonas Staal & Evgenia Abramova
Gazette Editors: Corina L. Apostol, Vladan Jeremić,Vlad Morariu, David Riff & Dmitry Vilensky.
Editing Assistance: Jasmina Tumbas
Graphic Intervetions: Zampa di Leone

 

Non-Participation in “Year 2013” published by Komplot

Very happy to announce that the 2013 edition of Komplot‘s Year is out now, and features my call for submissions to Non-Participation.

 

From Kmplt.be:

“YEAR is the annual yearbook showcasing a subjective, abstract, moving scene. The third issue of YEAR is, again, an almanac, a programme, a diary and a lot of glam shit handsome gorgeous terrific “blah blah blah” gathering together more than 85 prospective and retrospective contributions. Theory, poetry and narration mingle with the visual in what unravels, page after page – a landscape full of details and perspectives… Three editors have completed special sections, unfolding YEAR in an exhibition at Komplot : Île 2 France curated by Yann Chevallier, Black and Vases curated by Sonia Dermience and Alberto García del Castillo and After Howl directed by David Evrard.”

 

THE CONTRIBUTORS

Painting : Anthea Hamilton

Cover photo : Fabrice Dermience

Damien Airault, Shane Anderson, Sylvie Arnaud, Isabelle Arthuis, Sven Augustijnen, Patrick Bobilin, Francisco Camacho, Ellen Cantor, CAREFOUR, Gabriella Ciancimino, Contour, Boris Crack, François Curlet, Mathis Collins, Carles Congost, Anna Davinski Foundation, Isabelle de Visscher-Lemaitre, Federico del Vecchio, DSCTHK, Etablissement d’en Face, Jean-Yves Evrard, Tatiana Fernandez Echeverri, France Fiction, FLINT-FUYT, André Fortino, Michel François, Charles Garcin, Jill Gasparina, Mathis Gasser, Armand Gatti, Laetitia Gendre, Adel Ghezal, Karl Holmqvist, Huz & Bosshard, Vincent Honoré / Ben Cain, Hotel Charleroi, Jean Paul Jacquet, Benjamin Jaubert, Renaud Jerez, Agata Jastrzabek & Laszlo Umbreit, Ilja Karilampi, Kim Kim Gallery, Lucas Knipscher, Estelle Lecaille, Erwan Mahéo, David Malek, Fiona McKay, Estelle Nabeyrat, Michelle Naismith, Lise Nelleman, Bavo Olbrechts, Douglas Park, Gianandrea Poletta, Carl Palm, Yann Perol, Guillaume Robert, Viktor Rosdahl, John Russell, Gio Black Peter, Fabrice Pichat, Emilie Pitoiset, Sten Are Sandbeck, Timothy Stappaert, Jaro Straub, Peter Sutherland, Fleur van Muiswinkel, Benjamin Valenza, France Valliccioni, Joelle Van Autreve, Lauren VHS, Wepion.

The Art Law Codex at Independent Curators International

I’m thrilled to say that I will be contributing to the Art Law Codex, organized by Sergio Muñoz Sarmiento and presented at Independent Curators International on February 13, 2013.

 

The Art & Law Codex

The Art & Law Codex
Wednesday, February 13, 2013
6:30–8pm

ICI Curatorial Hub
401 Broadway, Suite 1620
New York, NY 10013
Join us at ICI for the opening reception of Sergio Muñoz Sarmiento’s project, The Art & Law Codex. The Art & Law Codex invites a group of artists, writers, curators, lawyers, and legal scholars to participate in this ongoing project.

The Codex consists of portable letter-size file boxes (approximately 11.5” x 14” x 18” each), which can be stacked with other similar file boxes, allowing for the Codex to grow in size and expand in content with time. For the initial box of the Codex, Volume I: Definition, the participants were asked to submit a document that they think defines art & law.

After the first public viewing at Independent Curators International (ICI) in New York City, the Codex will be made available to other academic and art institutions for public exhibition.

Participants include: Amy Adler, Greg Allen, Daniel Brooks, Christoph Büchel, Eric Doeringer, Cora Fisher, Felix Gonzalez-Torres, Lauren van Haaften-Schick, Nate Harrison, Bettina Johae, Soda Jerk, Alfred Steiner, Ruben Verdu, Alex Villar, Angie Waller, Ai Weiwei, and Donn Zaretsky
This event is free and open to the public. Please RSVP to rsvp@curatorsintl.org with ART & LAW CODEX in the subject field. For more information, please contact ICI’s Public Programs & Research Coordinator Misa Jeffereis at misa@curatorsintl.org.

 

Non-Participation via Artists-in-Residence at Casino Luxembourg

Thanks to the artists-in-residence at Casino Luxembourg for posting the call for submissions to Non-Participation.

More on their project, Making of:

 

Non-Participation and ArtLeaks

Thanks to ArtLeaks for re-posting the call for submissions to Non-Participation.

http://art-leaks.org/2012/11/19/non-participation-call-for-submissions/

 

About ArtLeaks: “ArtLeaks is collective platform initiated by an international group of artists, curators, art historians and intellectuals in response to the abuse of their professional integrity and the open infraction of their labor rights. In the art world, such abuses usually disappear, but some events bring them into sharp focus and therefore deserve public scrutiny.  Only by drawing attention to concrete abuses can we underscore the precarious condition of cultural workers and the necessity for sustained protest against the appropriation of politically engaged art, culture and theory by institutions embedded in a tight mesh of capital and power…” Read on

Their archive of Cases and the site in general is an invaluable resource. Read their guidelines and, if you can, submit your case to ArtLeaks as well.

 

Archive of “Canceled” at the Goethe Institut, for David Horvitz’ “How Can a Digital be Gift?” – Through 12/21

Canceled: Alternative Manifestations and Productive Failures
curated by Lauren van Haaften-Schick

Archive of the exhibition included in:

The End(s) of the Library: David Horvitz
How Can a Digital be Gift?

11/08/12 – 12/21/12
Opening: November 8, 6:00-8:00pm

 

 

 

 

 

 

 

Goethe-Institut New York
72 Spring Street, 11th Floor, New York, NY

theendsofthelibrary.com

The End(s) of the Library is a series of artist commissions taking place at the Goethe-Institut New York library from October 2012-June 2013 organized by Jenny Jaskey. For the first of these projects, David Horvitz will address the role of digital rights management (DRM) within the library’s infrastructure. Working with a group of artists and independent publishers, Horvitz will attempt to make a generous donation of artist books to the Goethe-Institut library in digital format. His gift will be contingent upon these materials being available to library users for an unlimited timeframe and without restriction for edition size. Both of these aspects of e-books – their length of use and number of copies – are currently limited within the e-book system, in which each book is understood as a singular object. Horvitz’ project, entitled How Can a Digital be Gift?, will explore the challenges of the digital format to the library’s circulation model, emphasizing the important role played by third-party distributors who provide the online platforms necessary for sharing digital content. With these platforms, libraries no longer own the books in their collections, but rather subscribe to them as rented data.

To carryout his project, Horvitz will be in residence at the Goethe-Institut New York, integrating his collecting and digitization work into the library’s everyday existence. He will maintain an active blog documenting various aspects of his project, and will embark upon an extended conversation with the Goethe-Institut library staff and their information providers. In celebration of the artist books donated to the Goethe-Institut, Horvitz will host a special event and book launch for BFFA3AE by digital publisher Badlands Unlimited, the Los Angeles-based music group Lucky Dragons, and Andrew Beccone of the Reanimation Library on Monday, November 26, 2012 beginning at 7 p.m.

David Horvitz (b. 1983, Los Angeles) is a New York-based artist whose work shifts seamlessly between the Internet and the printed page. His participatory practice, which often involves close collaborations with other artists, as well as a web-based audience, considers strategies of information circulation and the impermanence of digital artifacts. Horvitz work has been included in exhibitions at The Kitchen, New York; Art Metropole, Vancouver; Or Gallery, Vancouver; and New Museum, New York, among others.

The End(s) of the Library is a series of commissioned installations, lectures, performances, and workshops that consider the state of the library with Julieta Aranda, Fia Backström & R. Lyon, David Horvitz, Christian Philipp Müller, and The Serving Library taking place at the Goethe- Institut New York Library from November 8, 2012 – June 21, 2013. Organized by Jenny Jaskey, the contributors will address how previous library configurations have given way to new forms and revised values in the digital age, emphasizing the fact that the library is neither a monolithic system nor an abandoned utopia, but an ever-contested site demanding new readings of its organizational frameworks: an institution whose ends are without end.

The program is free and open to the public. For a full schedule of exhibitions and events, please visit theendsofthelibrary.com. For general information call (212) 439-8700 or visit the Goethe-Institut New York online at www.goethe.de/newyork.

 

Non-Participation in the L Magazine

Thanks to Corinna Kirsch at the L Magazine for sharing my invitation to submit to Non-Participation.

Protest Much? Participate in “Non-Participation”

From Kirsch’s article:

“For all the critics out there, Brooklyn-based curator Lauren van Haaften-Schick has a project just for you. All you need to do is send her a letter.

Van Haaften-Schick’s latest project, Non-Participation, ‘will be a collection of letters by artists, curators, and other cultural producers, written to decline their participation in events, or with organizations and institutions.’ She can’t do all the legwork on her own, so if you’ve ever had a beef with organizations and institutions, send her your submission.

We here at AFC plan on submitting our petition against Sotheby’s, the auction house that locked out its art handlers for nearly a year. But with the definition of “letter” left vague, we could also submit a handful of things like reviews, tweets, emails, or anything beginning with ‘Dear _____.'”

The deadline for submissions is December 31.